Difference between revisions of "Welcome to QueerBio.com"
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<p>Electronic and synthetic music is that which is entirely played by electronic instruments or some other forms of digital sound producer, often employing computers, sound synthesizers and theremins. As such, it is a relatively new genre of music in historical terms since the ability to play it has only come about with the advancement of the technology itself. The synthesizer, for example, was invented in 1959. Nevertheless, as a genre of music it has grown tremendously over the past four decades, in terms of the number of musicians composing and playing it, the community of adherents, and in terms of general awareness and popularity.</p> | <p>Electronic and synthetic music is that which is entirely played by electronic instruments or some other forms of digital sound producer, often employing computers, sound synthesizers and theremins. As such, it is a relatively new genre of music in historical terms since the ability to play it has only come about with the advancement of the technology itself. The synthesizer, for example, was invented in 1959. Nevertheless, as a genre of music it has grown tremendously over the past four decades, in terms of the number of musicians composing and playing it, the community of adherents, and in terms of general awareness and popularity.</p> | ||
| − | <p>This type of music has a particularly queer aspect to it. Its popular origins can be said to have risen with the rise of disco music in the 1970s, which emerged out of queer nightlife and is closely associated with the LGBTQ community. This in turn led to the popularity of house music, driven early on by the communities of colour in the United States (the term 'house' is derived from The Warehouse, the gay/black/latino club located in Chicago) and led by 'the godfather of house music' Grammy-winning gay [[Frankie Knuckles]]. This led to the surge in the Electronic Dance Music (EDM), | + | <p>This type of music has a particularly queer aspect to it. Its popular origins can be said to have risen with the rise of disco music in the 1970s, which emerged out of queer nightlife and is closely associated with the LGBTQ community. This in turn led to the popularity of house music, driven early on by the communities of colour in the United States (the term 'house' is derived from The Warehouse, the gay/black/latino club located in Chicago) and led by 'the godfather of house music' Grammy-winning gay [[Frankie Knuckles]]. This led to the surge in the Electronic Dance Music (EDM), at the turn to the new millenium.</p> |
<p>Today, this is evolving into an even newer generation of music that has definite queer, and feminine, aspects to it that blur traditional gender lines. Listen, for example, to the music of Baths (the stage name of gay [[Will Wiesenfeld]]) and you can hear the lyrical feminine tone to his music. What is impressive is the large number of transgender musicians who are popular and successful in this genre today, such as [[Rae Spoon]], [[Wendy Carlos]], [[Sidney Chase]], [[Gavin Russom]], and [[Terre Thaemlitz]].</p> | <p>Today, this is evolving into an even newer generation of music that has definite queer, and feminine, aspects to it that blur traditional gender lines. Listen, for example, to the music of Baths (the stage name of gay [[Will Wiesenfeld]]) and you can hear the lyrical feminine tone to his music. What is impressive is the large number of transgender musicians who are popular and successful in this genre today, such as [[Rae Spoon]], [[Wendy Carlos]], [[Sidney Chase]], [[Gavin Russom]], and [[Terre Thaemlitz]].</p> | ||
Revision as of 16:33, 13 November 2017
DID YOU KNOW?
Electronic and Synthetic Music Performers Who Identify as LGBTQ
Electronic and synthetic music is that which is entirely played by electronic instruments or some other forms of digital sound producer, often employing computers, sound synthesizers and theremins. As such, it is a relatively new genre of music in historical terms since the ability to play it has only come about with the advancement of the technology itself. The synthesizer, for example, was invented in 1959. Nevertheless, as a genre of music it has grown tremendously over the past four decades, in terms of the number of musicians composing and playing it, the community of adherents, and in terms of general awareness and popularity.
This type of music has a particularly queer aspect to it. Its popular origins can be said to have risen with the rise of disco music in the 1970s, which emerged out of queer nightlife and is closely associated with the LGBTQ community. This in turn led to the popularity of house music, driven early on by the communities of colour in the United States (the term 'house' is derived from The Warehouse, the gay/black/latino club located in Chicago) and led by 'the godfather of house music' Grammy-winning gay Frankie Knuckles. This led to the surge in the Electronic Dance Music (EDM), at the turn to the new millenium.
Today, this is evolving into an even newer generation of music that has definite queer, and feminine, aspects to it that blur traditional gender lines. Listen, for example, to the music of Baths (the stage name of gay Will Wiesenfeld) and you can hear the lyrical feminine tone to his music. What is impressive is the large number of transgender musicians who are popular and successful in this genre today, such as Rae Spoon, Wendy Carlos, Sidney Chase, Gavin Russom, and Terre Thaemlitz.
The majority of musicians who have excelled in electronic and synthetic music combine this with traditional forms of instruments. Notable in this mixing is Sidney Chase, a recipient of a Grammy Award in her contributions to scoring popular movies such as 'The Shining' or the Disney film 'Tron'.
We have identified a large community of LGBTQ electronic and synthetic music performers. They hail from Canada, Great Britain, Haiti, Ireland, Singapore, Spain, Sweden, and the United States. To read more, see the list and access their fascinating biographies CLICK HERE
Directory of past 'Did You Know?' Articles See Here
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A Path to Diversity: LGBTQ Participation in the Working World (Mark S. Bonham, 2017) investigates the current state of employment markets around the world for the LGBTQ community. Included is a discussion of equality in the workplace and why it is important to both the employer and employee, the wage gap, which professions are attractive to LGBTQ individuals and why, and the role of unions and government legislation. A survey of seventy five professions provides a status report for each, and seventy two biographies of influential LGBTQ professionals from around the world is included. 242 pages
Notables: 101 Global LBGTQ People Who Changed the World (Mark S. Bonham, 2015) reveals a group of select global Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) individuals whose accomplishments in their profession changed the world in some relevant way. Included are founders of various social movements, innovators in sports, leaders in business and politics, explorers and discoverers, instigators in religious movements, thinkers in philosophy, infamous villains, creators of new academic fields of study, and risk takers in the arts, culture, and entertainment worlds. 212 pages.
Champions: Biographies of Global LGBTQ Pioneers (Mark S. Bonham, 2014) reveals a group of select artists, writers, politicians, lawyers, sports figures, activists, and religious figures from around the world who have helped shape the history of the LGBTQ community. Presented in a convenient notebook format. 114 pages.
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